黃靖雅 JEAN · Portfolio
NTUA · Graphic Communication Arts國立臺灣藝術大學 圖文傳播藝術學系作品集 / PortfolioSCAN 01 — EXPOSURE 0.04s

Frag ments re— Assembled

Name / 姓名

黃靖雅HUANG CHING YA

Practice / 創作領域

影像、攝影、編輯設計、海報與創意開發設計

Moving image, photography, editorial, identity & poster, mixed media

Move the cursor / 移動滑鼠

游標推散大字;打開右上角的 X-RAY,游標會變成 X 光鏡頭,看見作品的負片。

Your cursor scatters the letters. Switch on X-RAY, top right, to turn it into a lens over each work.

Contents / 目錄

  1. 01影音與敘事Video × Storytelling↘
  2. 02介面設計App Interface↘
  3. 03編輯與內容統籌Editing × Content↘
  4. 04澳洲・雪梨Sydney, Alone↘
  5. 05平面攝影Photography↘
  6. 06Logo & 海報設計Identity & Poster↘
  7. 07創意開發設計Creative Development↘
  8. 08其他・手作品牌Others — Own Me↘
01 / 08

影音與敘事Video × Storytelling

從品牌的影音廣告到劇情短片,用鏡頭說故事,一支講給消費者聽,一支講給記憶聽,我在其中參與策略、拍攝、導演與後製。

From a brand video ad to a narrative short, telling stories through the lens, one for an audience, one for a memory, with my hands in strategy, shooting, directing and post.

PROJECT 01 · 媒體整合行銷 Integrated Marketing

AD · PREVIEW
觀看高畫質影片 Watch in HD ↗
QR code to the Sour3 ad on YouTube掃描觀看
Scan to watch
CAMPAIGN · 行銷策略 × 新聞稿 × 影音廣告 × 圖像廣告

Sour3 果汁沙瓦

「一點微醺,讓生活多一點味道」

“A little tipsy, a little more flavour in life.”

My role / 擔任
策略討論・新聞稿撰寫・影音與圖像廣告拍攝
Strategy, press release, video & image shoots
Team / 團隊
Three-person group 三人小組
Target / 目標族群
20–30 歲女性,Z 世代與千禧世代
Channels / 媒體
Facebook · Instagram Reels · TikTok · YouTube · KOL
Budget / 預算
NT$500,000

《小酌日常》今天想配哪一罐? · Four flavours, four everyday moments

SCENE 01 / 04

《微醺野餐日記》

水蜜桃沙瓦 × 鮮蔬三明治

A tipsy picnic diary, Peach with fresh veggie sandwich.

Brand / 品牌

日本原裝進口,果汁含量超過 25%,酒精濃度約 3%,酸甜帶氣泡,讓人一點點醉,做自己。

Positioning / 定位

健康輕飲,果香微醺,低負擔,介於甜膩的傳統沙瓦,與酒感強烈的雞尾酒之間。

Media / 媒體策略

果實色系、柔和奶油色的社群主頁,搭配「微醺日常」短語錄、生活風格 KOL 開箱,以及快剪節奏的短影音廣告。

Ad concept / 廣告構想

由果香開場,透過水果特寫與氣泡聲進入主題,以快剪呈現四種生活情境,對應四款口味,節奏明快,視覺清新。

PROJECT 02 · 劇情短片 Narrative Short

PREVIEW · MUTED

The Afternoon Tunnel《午後的隧道》

Role / 擔任
Director, camera, camera post, part of edit
導演+攝影+攝影後製+部分剪輯
Production / 製作
Group project 團體製作
Location / 地點
三貂嶺隧道・舊百吉隧道・國立臺灣藝術大學
Sandiaoling Tunnel · Old Baiji Tunnel · NTUA
Format / 規格
4K · 16:9 · 24 fps · 05:13

男主角陸予辰經歷女友俞夏的去世,在二手書店的舊書裡發現她留下的紙條。他搭火車前往三貂嶺的隧道,重溫那段往事,卻在隧道裡遇見一抹熟悉的身影……

After losing Yu Hsia, Lu Yu-chen finds her note inside an old book. He takes the train to the Sandiaoling tunnels to relive their past, and meets a figure he knows…

Production stills / 美術攝影劇照

02 / 08

介面設計App Interface

Pick Joy 是一款盲盒選物 App,以「拆開的那一刻」為核心,從品牌識別、首頁、系列介紹,一路設計到購物車與結帳,讓抽盒前的期待感,藏在每一次點擊裡,這是我個人完成的期末提案,在 Figma 中建立可操作的互動原型。

Pick Joy is a blind-box shopping app built around the moment of unboxing, from brand identity, home and series pages to cart and checkout, so that the thrill before opening a box lives in every tap. A solo final project, prototyped in Figma.

原型操作實錄 01:08 · 點手機暫停或播放 · Prototype walkthrough, tap to pause

FINAL PROJECT · 盲盒選物 App 介面設計

Pick JoyThe joy begins with blind box.

開啟互動原型 Open Figma prototype ↗
Type / 類型
Mobile app UI 手機 App 介面
Role / 擔任
Individual project 個人作品,品牌、介面與互動設計
Tool / 工具
Figma prototype
Brand / 識別
紅・白・黑
  1. Home 首頁New!、Shopping、Series、Reviews 四個入口,下方是新品與熱銷
  2. Series 系列All Members、Game Rule、Information、Notice,先認識角色,再決定要抽哪一盒
  3. Tap it 加購特效按下加入,盲盒會落進紙袋,售完時則換成 Out of stock 的提示
  4. Cart 購物車數量調整、結帳、空購物車與購買紀錄,讓流程完整收尾

Boards / 提案版面

03 / 08

編輯與內容統籌Editing × Content

《寶豆印象》以台藝大校園裡的寶豆咖啡為主題,透過攝影、訪談與文字排版,記錄這間以在地食材融合異國風味的小店,以及創辦人蕭媺學姐的故事,整本雜誌以日系、清新、整齊、乾淨為方向,我擔任總編輯,負責版面構成、圖片挑選與字體調整,也參與美術編輯、幕後攝影與文案撰寫。

Baodou Impression is a magazine about Baodou Café, a small place hidden on the NTUA campus, where local ingredients meet flavours from abroad, told through photography, interviews and layout. As editor-in-chief, I shaped the pages, chose the images and tuned the type, and also worked on art editing, behind-the-scenes photography and writing.

Baodou Impression magazine, printed spreads 32 PP. · A4 · RIGHT-BOUND翻閱完整雜誌Open the magazine · HD page-flip ↗
Role / 擔任
總編輯、美術編輯、幕後攝影、文案撰寫
Editor-in-chief, art editor, photography, writing
Team / 團隊
Five-person group 五人小組
Format / 開本
A4 · 210 × 297 mm · 32 pp.
Direction / 風格
日系・清新・整齊・乾淨
Subject / 主題
Baodou Café, NTUA 台藝大寶豆咖啡

「美感並非天賦,而是需要透過反覆練習與琢磨,才能培養出來。」

“Taste is not a gift, it grows through practice, revision and patience.”

— 編輯後記 Editor’s note
04 / 08

澳洲・雪梨Sydney, Alone

2026 年一月,南半球的盛夏,我第一次一個人出國,在雪梨停留了三週,沿著海岸、街道與光影慢慢地走,讓相機替我收下城市的輪廓、草木的呼吸、陌生人的片刻,以及鳥群短暫的停留,最後收成八個章節,和一支短片。

January 2026, high summer in the south, my first time abroad on my own, three weeks in Sydney, walking slowly along the coast, the streets and the light, letting the camera keep the shape of the city, the breath of green things, small moments of strangers and birds that stayed a while, gathered here as eight chapters and one short film.

Depart
16.01.2026 TPE → SYD
Return
07.02.2026 SYD → TPE
Duration
23 days solo
Location
Sydney, NSW 33.8688° S · 151.2093° E
Specimens
61 frames + 1 film, 02:54
Sydney Diary — preview02:54 · 9:16
觀看完整影片 Watch full film ↗
QR code to the Sydney film掃描觀看
Scan to watch
CH.01

Shoreline

Bondi in the morning, salt in the air, people taking their time.

“slow is a speed too”

07 frames
CH.02

Lines

Old sandstone beside new glass, and I kept looking up.

“look up”

09 frames
CH.03

Light & Shadow

Summer light cuts the city into sharp, quiet shapes.

“the sun draws, I just watch”

08 frames
CH.04

Birds

Gulls and pigeons, the other locals of Sydney.

“they were here first”

06 frames
CH.05

Streets

Crossings, trams and strangers, walking was how I read the city.

“walk, stop, look”

07 frames
CH.06

Market & Table

Fruit, fish and bread, colour you can eat.

“colour you can taste”

07 frames
CH.07

After Dark

When the lights come on, the city turns quiet and warm.

“night is softer here”

10 frames
CH.08

Gate

Big windows, planes waiting outside, where the trip began and where it ended.

“first time, on my own”

07 frames
05 / 08

平面攝影Photography

商業攝影、棚拍人像與外拍人像,收在獨立的攝影頁面,讓照片保有更好的畫質。

Commercial, studio and outdoor portrait work, kept on its own page so the photographs stay sharp.

進入攝影頁面 Enter photographyCommercial · Studio Portrait · Outdoor Portrait ↗
06 / 08

Logo & 海報設計Identity & Poster

從一個品牌的 logo 開始,到影像後製、材質渲染與拼貼的海報,看字體、光線與陰影,如何改變一張紙上的情緒。

From a brand’s logo to posters built through post-production, texture rendering and collage, watching how letterforms, light and shadow change the mood of a single sheet.

澆綠 poster with identity 01

形象設計 01 / 03 · Identity 01

IDENTITY · LOGO & POSTER

澆綠Endxiety

你今天澆綠了嗎?

“Water your mind. Pause, breathe, grow.”

以 Gen Z 日常的焦慮情緒為出發點,以 21 天為週期,結合 5-4-3-2-1 安頓練習,把拼接植物、感官互動與擴香,變成一套陪伴人暫停焦慮的日常媒介,用可擴香的紙材做成植物零件,依當下的心情自由拼接,再透過「澆水」,把精油滴在植物上,讓香氣慢慢散開,它不是治療焦慮,而是給自己一段停下來、喘口氣、重新照顧自己的時間。

Starting from the everyday anxiety of Gen Z, a 21-day kit that pairs the 5-4-3-2-1 grounding technique with paper plants you build and scent. You assemble a plant to match your mood, then “water” it with essential oil and let the scent rise. It does not cure anxiety, it offers a pause, a breath, and a moment to look after yourself.

選一個 logo,看海報怎麼跟著改變 · Pick a logo, watch the poster change

同一個品牌名,換一種字體,整張海報的情緒就跟著不同,所以我做了多種版本去嘗試。
One name, different letterforms, and the whole poster feels different, so I tried many versions.

MARK 01 / 04
PERSONAL MARK · 個人名字標誌

JEANOne name, four ways to write it

J・E・A・N

以自己的英文名字 Jean 為題,從 J、E、A、N 四個字母出發,試著用四種不同的結構寫同一個名字,有襯線的切口、極細的線條、層疊的斜面,也有像水一樣流動的形狀,每一個都是我,也都只是我的一部分。

A study of my own name, Jean, starting from the letters J, E, A and N and writing them four ways, with a cut serif, a hairline, stacked slanted planes and a shape that flows like water. Each one is me, and each is only a part of me.

移動滑鼠,讓光滑過金屬字面,點下方縮圖切換 · Move the cursor to catch the light, tap a mark to switch

Beyond the Tunnel poster
SEPARATION 0%
SERIES 01

Beyond the Tunnel

“When the light calls you, there’s no turning back.”

以《午後的隧道》拍攝的影像為素材,經過後製與渲染,讓隧道口湧進的光,慢慢吞沒人物的輪廓,成為一張關於離開,也關於回望的海報。

Made from footage of The Afternoon Tunnel, reworked and rendered until the light pouring in at the tunnel mouth swallows the figure, a poster about leaving, and about looking back.

Source / 素材
《午後的隧道》拍攝影像
Method / 手法
Post-production, rendering 後製渲染
Interaction
捲動或滑鼠移入,海報會拆開再組合
Lost in Light poster, colourway Lemon
COLOURWAY 01 · Lemon左右移動滑鼠換色 · Move across to shift the light
SERIES 02

Lost in Light

“The world becomes softer when everything is out of focus.”

以失焦與迷失的光線為題,透過材質渲染,讓同一張影像在六種配色間流轉,像同一段記憶,在不同光線裡有不同模樣。

On blur and stray light, one image rendered through texture into six colourways, like a single memory, seen differently under each kind of light.

Theme / 主題
失焦・迷失的光線 Blur, stray light
Method / 手法
Texture rendering 材質渲染
Variants / 配色
6 colourways
SERIES 03

More than photos.

“Every shadow hides a story.”

把平日隨手拍下的畫面,和在雪梨拍攝的影像拼貼在一起,水滴、海灘、葉脈與牆上的陰影,在紙張的紋理裡重新排列,成為一組關於觀看的海報。

Everyday snapshots collaged with photographs from Sydney, a water drop, a beach, a leaf and shadows on a wall, rearranged on textured paper into a series about the act of looking.

Source / 素材
日常與海外拍攝影像
Method / 手法
Collage 拼貼整合
07 / 08

創意開發設計Creative Development

這個領域著重於動手操作的能力,不侷限在平面,從圖文設計出發,進一步延伸到筷子、筷架與包裝的實體設計,讓概念真正被拿在手上。

This part is about making with my hands, beyond the flat page, starting from graphics and type, then carrying the idea into chopsticks, a chopstick rest and packaging you can hold.

筷嫁給我 glass box with chopsticks, rest and a tied knot
PROJECT · 筷子/筷架/整體包裝設計

筷嫁給我Chopsticks, Married to Me

當結遇到退去後的「海浪」,
只留下「水痕」與「隱藏的故事」

“When the knot meets the receding tide, only traces of water remain, and the stories left behind.”

課題是「筷架給我」,我以「結」為主題發想,結象徵人與人之間的牽繫,記憶,與未解的情感,當海浪退去,結未必被解開,但水會留下痕跡,那些無法被完整敘述的故事,仍會以另一種形式,存在於日常之中。

The brief was a chopstick rest, and I started from the knot, a sign of the ties between people, of memory and of feelings left unresolved. When the tide goes out, the knot may not come undone, but the water leaves a trace, and the stories that cannot be fully told stay on, in another form, in everyday life.

Brief / 課題
筷架給我 A chopstick rest
Outputs / 產出
筷子・筷架・外盒・標籤・摺頁
Material / 材質
Clear acrylic, UV resin, rope, paper 透明壓克力・UV 膠・繩・紙
Palette / 色彩

結是什麼?What is a knot?

  • 「難以割捨的羈絆」,化為「煩惱」
  • 「線的盡頭」,也許是另一段「希望」的開始
  • 「無助」的「情緒」,淹沒在「混亂」中

當結遇到……When the knot meets…

  • 「石縫」裡的「微光」,「影子」便無聲地被拉長
  • 退去後的「海浪」,只留下「水痕」與「隱藏的故事」
  • 「封閉的心門」,彷彿「心弦」在「漏光」縫隙中「震響」

如果結不是結?If a knot isn’t a knot?

  • 「死結」與「心結」也能化為出口
  • 「破碎的線結」與「傷口的痂」便是癒合的印記
  • 「崩裂的」「樹結」會孕育下一圈年輪

Design details / 設計細節

  1. 01

    外包裝設計「結」作為被留下的記號

    Packaging, the knot as a mark left behind

    包裝上點綴小型繩結設計,並非作為主視覺,而是像被留下來的痕跡,結不再被強調其功能,而是成為一種「存在過的證明」。

  2. 02

    外盒上蓋設計可流動的水

    Lid, water that moves

    外盒上蓋內部特別設計可流動的透明水體,模擬海水在封存狀態下的流動感,當使用者輕輕搖晃盒蓋時,可以感受到水在透明空間中緩慢移動,如同退潮前後,那種通透卻難以捕捉的狀態,讓「流動」成為一種可被體會的感受,回應海浪來去之間,短暫卻真實的存在。

  3. 03

    筷子本體設計被海水留下的痕跡

    Chopsticks, traces the sea left

    筷子本體維持透明,僅在表面局部施作 UV 膠水痕處理,水痕以不對稱造型呈現,象徵每一次浪潮的形狀都不相同,沒有一條水痕是被刻意設計的,這些痕跡不是裝飾,而是海浪退去後自然留下的狀態,低調、不完整,卻真實存在。

  4. 04

    筷架設計漂流瓶與「隱藏的故事」

    Rest, a message in a bottle

    筷架以透明漂流瓶作為造型發想,內部放置紙條,象徵那些被封存、未被完整說出的故事,「水」不只是物質,而是故事的投射與象徵,像被漂流瓶吐出來的水,在瓶口溢出、停留,卻不再回到原本的狀態,透過 UV 膠塑形,讓水呈現「正在流出、卻被定格」的樣貌,筷子便自然地安置在這道水痕之上。

  5. 05

    盒子底部設計退潮後的海

    Base, the sea after the tide

    盒子底部以海浪與潮水作為視覺呼應,透過海水藍透明材質,搭配些微霧白波紋,營造出退潮後仍殘留在沙面上的水紋感,不強調立體起伏,而是以「被壓平的浪」作為表現方式,讓整體視覺更接近記憶中的海,而非具象描繪。

Boards & details / 版面與細節

08 / 08

其他・手作品牌Others — Own Me

從興趣長出來的手作黏土品牌 OWN ME,自己畫 logo、做名片、拍商品,也帶著一盤盤小麵包去擺攤,捏一點可愛,留一點時間給自己。

OWN ME, a handmade clay brand that grew out of a hobby. I drew the logo, made the cards, shot the products and took trays of tiny breads to market.

進入 OWN ME 手作品牌 Enter Own MeBrand · Identity · Products · Market days ↗

About / 關於我

黃靖雅HUANG CHING YA · JEAN

國立臺灣藝術大學 圖文傳播藝術學系
National Taiwan University of Arts
Department of Graphic Communication Arts

我喜歡用鏡頭、版面和雙手說故事,從品牌影片、劇情短片、雜誌與海報,到介面、攝影和手作,我在意的是一件作品被看見、被拿在手上的那一刻,在團隊裡,我常同時擔任企劃、拍攝與統籌,一個人的時候,就帶著相機去更遠的地方。

I like telling stories with a lens, a layout and my hands, from brand films, a short film, a magazine and posters to interfaces, photography and handmade objects. What I care about is the moment a piece is seen, or held. In a team I often plan, shoot and coordinate at once, and on my own I take the camera further away.

影像與敘事 · 平面與編輯設計 · 人像與商業攝影 · 介面設計 · 品牌識別 · 實體與手作

08Categories
13Projects
23Days in Sydney
01Brand of my own

Contact / 聯絡

Let’s talk
work.

jean944028@gmail.com
© 2026 黃靖雅 HUANG CHING YANational Taiwan University of Arts · Graphic Communication ArtsBack to top ↑